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We articulate the intimate relation that exists between art and technique, between advertisement and science, between product and process, between sentiment and knowledge.\u003c\/p\u003e\n\u003cp\u003eBetween 1978 and 2001 Van Dusseldorp took over 25.000 Polaroids that he made as studies for his product photos. Initially, he donated many of them to elementary schools for children to play with. Later, at the dawn of the digital age, he felt like holding on to the Polaroids without exactly knowing why. 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The issues so far don’t exactly amount to a regular accumulation, not in a linear sense, but maybe an expanding whole, the parts placed at the edge of something that is gradually defining its own limits.\u003c\/p\u003e\n\u003cp\u003eAs well as articles and extracts to do with current Uniformbooks, for the most part invitations and proposals, content is very often borrowed, or commandeered. Edited piecemeal from varied sources, including information located online via blog or tweet, it has become another variant of the plain and ongoing form of the printed pamphlet, page by page, and issue by issue“, issue 10 of this publisher’s magazine, stapled, 21,5 x 15 cm, 32 pages, Axminster 2017\u003c\/p\u003e\n\u003cp\u003eISSN 2056-6301\u003c\/p\u003e","brand":"Sackett, Colin (Ed.)","offers":[{"title":"Default Title","offer_id":31802455916657,"sku":"","price":6.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0015\/8656\/1083\/products\/UniformagazineNr.10.jpg?v=1591804321"},{"product_id":"uniformagazine-nr-5","title":"Uniformagazine  Nr.5","description":"\u003cp\u003e“\u003cem\u003eDividers\u003c\/em\u003e \u003cstrong\u003eMark Pawson\u003c\/strong\u003e | Daisies Asleep, Daisies Awake \u003cstrong\u003eJohn Bevis\u003c\/strong\u003e | \u003cem\u003eStonehenge\u003c\/em\u003e \u003cstrong\u003eAnon\u003c\/strong\u003e. | \u003cem\u003eThe Sea and The Trees\u003c\/em\u003e \u003cstrong\u003eGavin Morrison\u003c\/strong\u003e | \u003cem\u003eBleaching Fields\u003c\/em\u003e Centre spread | \u003cem\u003eA Handmade Web\u003c\/em\u003e \u003cstrong\u003eJ. 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After nearly forty years the lyrics and images of Peter Blegvad’s \u003cem\u003eKew. Rhone.\u003c\/em\u003e are exhumed piecemeal: “this delightful book, full of wit, pictures and Blegvad’s densely literary considerations, sprouting thickets of footnotes” (Clive Bell, \u003cem\u003eThe Wire\u003c\/em\u003e 372).\u003c\/p\u003e\n\u003cp\u003eThe first book of 2015 will be a new edition of \u003cem\u003eThe Book of the Green Man\u003c\/em\u003e, the forgotten English nature poem of the 1960s by Ronald Johnson. 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Where a sculptural form has been introduced into the landscape, this will occupy a central, foregrounded position within the image. The language is distilled, precise and economical, referring numerically to periods of time (hours, days) and distances (miles), or descriptively to repeated actions (walking, throwing), forms (lines, circles), materials (stone, driftwood), and locations. The uniformity of presentation highlights the variations and particularity of each combination of text and image—the singularity of each work is established by its relationship to other works.’ (Numeracy, uniformity and structure, Dundee, 1999)\u003c\/p\u003e\n\u003cp\u003eIt is as good as any specification Uniformagazine might make for itself, which as well as having included the durational, the graphic and the concrete, and the geographically particular, has, in the first two issues, suggested a continuity of subject. In this issue especially, which, as is the model, was put together in a period of a few weeks, there are potential connections between several pieces. What arrived when and how it affected the overall balance and pitch of the content is probably forgotten already; so be it.”\u003c\/p\u003e\n\u003cp\u003eIssue 3 of this publisher’s magazine, stapled, 21,5 x 15 cm, 32 pages, Axminster 2015\u003c\/p\u003e\n\u003cp\u003eISSN 2056-6301\u003c\/p\u003e","brand":"Sackett, Colin (Ed.)","offers":[{"title":"Default Title","offer_id":31822394294385,"sku":"","price":6.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0015\/8656\/1083\/products\/UniformagazineNr.3.jpg?v=1592403322"},{"product_id":"uniformagazine-nr-4","title":"Uniformagazine  Nr.4","description":"\u003cp\u003e“\u003cem\u003eSolar Eclipse\u003c\/em\u003e \u003cstrong\u003eDavid Bellingham\u003c\/strong\u003e | \u003cem\u003eFrom the Top of Harvey House, Brentford Towers\u003c\/em\u003e \u003cstrong\u003eStephen Willats\u003c\/strong\u003e | \u003cem\u003eUnshelfmarked \u003c\/em\u003e\u003cstrong\u003eElizabeth James\u003c\/strong\u003e | \u003cem\u003eAllotment 3\u003c\/em\u003e \u003cstrong\u003eSimon Cutts\u003c\/strong\u003e | \u003cem\u003eDrawing Landscape\u003c\/em\u003e The Work of \u003cstrong\u003eGeoffrey Hutchings\u003c\/strong\u003e | \u003cem\u003eUnprinting the paper\u003c\/em\u003e \u003cstrong\u003eJan Voss\u003c\/strong\u003e | \u003cem\u003eDeath by Denim\u003c\/em\u003e \u003cstrong\u003eRebecca Chesney\u003c\/strong\u003e | \u003cem\u003eKern\u003c\/em\u003e \u003cstrong\u003eDerek Beaulieu\u003c\/strong\u003e | \u003cem\u003eThe Long Shed \u003c\/em\u003e\u003cstrong\u003eErica Van Horn\u003c\/strong\u003e | \u003cem\u003eNowhere to run, nowhere to hide\u003c\/em\u003e \u003cstrong\u003eKen Worpole\u003c\/strong\u003e | \u003cem\u003eWatercress farm\u003c\/em\u003e Waddock Cross, Dorset\u003c\/p\u003e\n\u003cp\u003eRecently The Guardian critic Jonathan Jones wondered scathingly if the late Terry Pratchett might have wanted his final posthumous novel “…pulped by a steamroller”; pulped…? Surely flattened more like. Here, as if plucked from a laundry list, then hung out to dry—aired in public maybe—this fourth issue has once again been naturally attracted to, whilst avoiding, some theme or other.\u003c\/p\u003e\n\u003cp\u003eFive new Uniformbooks titles have been published so far this year: in the spring a new edition of the modernist seasonal poem The Book of the Green Man by Ronald Johnson; the visual score Sonorama: listening to the view from the train by Claudia Molitor; and in late-summer three books at once: The Regional Book, geographical descriptions of the Broads by David Matless, Reading (Story of) O in both French and English by Emmanuelle Waeckerlé, and Michael Hampton’s disruptive history Unshelfmarked: Reconceiving the artists’ book.\u003c\/p\u003e\n\u003cp\u003eVision and Reality by Stephen Willats will be published towards the end of the year. This important book of photographs and interviews made with residents of English housing estates since the 1970s is marked here by the examination of an iconic tower block work made at Brentford Towers in west London. Also included is an article by Jan Voss of Boekie Woekie, the Amsterdam bookshop which will have been open for thirty years in January—an early note of this anniversary.”\u003c\/p\u003e\n\u003cp\u003eIssue 4 of this publisher’s magazine, stapled, 21,5 x 15 cm, 32 pages, Axminster 2015\u003c\/p\u003e\n\u003cp\u003eISSN 2056-6301\u003c\/p\u003e","brand":"Sackett, Colin (Ed.)","offers":[{"title":"Default Title","offer_id":31822625374321,"sku":"","price":6.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0015\/8656\/1083\/products\/UniformagazineNr.4.jpg?v=1592409073"},{"product_id":"uniformagazine-nr-6","title":"Uniformagazine  Nr.6","description":"\u003cp\u003e“\u003cem\u003eA Downland Index\u003c\/em\u003e \u003cstrong\u003eAngus Carlyle\u003c\/strong\u003e | \u003cem\u003eTCP\u003c\/em\u003e \u003cstrong\u003eLes Coleman\u003c\/strong\u003e | \u003cem\u003eAggregate\u003c\/em\u003e \u003cstrong\u003eColin Sackett\u003c\/strong\u003e | \u003cem\u003eHashkerville\u003c\/em\u003e \u003cstrong\u003eStuart Mugridge\u003c\/strong\u003e | \u003cem\u003eArtificial Rubbish Heap \u003c\/em\u003e\u003cstrong\u003eJohn Bevis\u003c\/strong\u003e | \u003cem\u003eJourney-Book\u003c\/em\u003e \u003cstrong\u003eMichael Gibbs\u003c\/strong\u003e | \u003cem\u003eSome Ironmongery\u003c\/em\u003e \u003cstrong\u003eErica Van Horn\u003c\/strong\u003e | \u003cem\u003eWhy Listen to Museums?\u003c\/em\u003e \u003cstrong\u003eJohn Kannenberg\u003c\/strong\u003e | \u003cem\u003eA Little Chantr’y for Spring\u003c\/em\u003e \u003cstrong\u003eStephen Duncalf\u003c\/strong\u003e | \u003cem\u003eTCP \u003c\/em\u003e\u003cstrong\u003eLes Coleman\u003c\/strong\u003e | \u003cem\u003eBook Things\u003c\/em\u003e \u003cstrong\u003eJeremy Cooper\u003c\/strong\u003e | \u003cem\u003eGoogle Landscapes \u003c\/em\u003e\u003cstrong\u003eTom Wilkinson\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTo say that Uniformbooks is a publishing house is precisely correct. The history of publishing, and printing, has been importantly one of location and often in the most basic form, of residing. This small terraced house is laid out conventionally room-by-room, but for one on the first floor being used exclusively as an office. Books are produced, stored, distributed, and in principle sold, ‘off-site’, while the preparation of the content and the formatting is done in-house, the means of communication—the discussion of detail and process—has become increasingly varied. These circumstances are wholly different than say, fifty years ago, when exchanges would have been either by letter or by telephone. Now, connection and content can be got from anywhere in the world, with no handicap for distance, and dialogues are made via networks of similarities, either global or next door.\u003c\/p\u003e\n\u003cp\u003eOur next title will be John Bevis’s definitive study of the pioneering natural history photographers The Keartons: Inventing nature photography, illustrated throughout with their original images. The first essay in this issue, by Angus Carlyle, reflects on the sequence of one hundred short runs that comprise A Downland Index, which will be out in early summer. Other projects in progress include a new book in collaboration with geographers Hannah Neate and Ruth Craggs which will highlight the diversity of current responses to modernist architecture; a survey of the work of Michael Gibbs whose activities included poetry, performance, film, and publishing, and his immersion in what he called “a genuinely ‘underground’ culture… which owed nothing to the official art establishment”; and a book with the sound poet and performance artist Nathan Walker from his residency in June at the Armitt Museum in Cumbria.”\u003c\/p\u003e\n\u003cp\u003eIssue 6 of this publisher’s magazine, stapled, 21,5 x 15 cm, 32 pages, Axminster 2016\u003c\/p\u003e\n\u003cp\u003eISSN 2056-6301\u003c\/p\u003e","brand":"Sackett, Colin (Ed.)","offers":[{"title":"Default Title","offer_id":31822631272561,"sku":"","price":6.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0015\/8656\/1083\/products\/UniformagazineNr.6.jpg?v=1592409356"},{"product_id":"uniformagazine-nr-7","title":"Uniformagazine  Nr.7","description":"\u003cp\u003e“\u003cem\u003eVotive Leaves\u003c\/em\u003e \u003cstrong\u003eDavid Matless \u003c\/strong\u003e\u003cem\u003e| The Reader’s Digest Family Encyclopedia of World History\u003c\/em\u003e \u003cstrong\u003eKasper Pincis\u003c\/strong\u003e | \u003cem\u003etap-root\u003c\/em\u003e \u003cstrong\u003eSimon Cutts \u003c\/strong\u003e| \u003cem\u003eA glance to the past\u003c\/em\u003e \u003cstrong\u003eMartha Hellion\u003c\/strong\u003e | \u003cem\u003eCondensations \u003c\/em\u003e\u003cstrong\u003eNathan Walker\u003c\/strong\u003e | \u003cem\u003eTrago Mills, Newton Abbot\u003c\/em\u003e \u003cstrong\u003ePhil Smith\u003c\/strong\u003e | \u003cem\u003eBlack Magic \u003c\/em\u003e\u003cstrong\u003eMartin Fidler\u003c\/strong\u003e | \u003cem\u003eAbout\u003c\/em\u003e \u003cstrong\u003eColin Sackett\u003c\/strong\u003e | \u003cem\u003eUnua Libro\u003c\/em\u003e \u003cstrong\u003eL. L. Zamenhof\u003c\/strong\u003e | \u003cem\u003ePainting highlights on trees\u003c\/em\u003e \u003cstrong\u003eJanet Boulton\u003c\/strong\u003e”\u003c\/p\u003e\n\u003cp\u003eContributed articles, essays photographs and poetry discussing or featuring the political landscape of the UK, print sculptures made of toner op paper, nature in an urban environment, the life of artist and poet \u003cstrong\u003eMichael Gibbs\u003c\/strong\u003e, a project involving a Cumbrian archive, a sightseeing tour through a regional department store, modern occultism, the British coastline, thoughts about universal language, and painting on trees\u003c\/p\u003e\n\u003cp\u003eIssue 7 of this publisher’s magazine, stapled, 21,5 x 15 cm, 32 pages, Axminster 2016\u003c\/p\u003e\n\u003cp\u003eISSN 2056-6301\u003c\/p\u003e","brand":"Sackett, Colin (Ed.)","offers":[{"title":"Default Title","offer_id":31822666301553,"sku":"","price":6.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0015\/8656\/1083\/products\/UniformagazineNr.7.jpg?v=1592411095"},{"product_id":"uniformagazine-nr-8","title":"Uniformagazine  Nr.8","description":"\u003cp\u003e“\u003cem\u003eSelf-build\u003c\/em\u003e \u003cstrong\u003eBrian Lewis\u003c\/strong\u003e | \u003cem\u003estick with it\u003c\/em\u003e \u003cstrong\u003eStuart Mugridge\u003c\/strong\u003e | \u003cem\u003eStarbucks\u003c\/em\u003e \u003cstrong\u003eJoy Drury Cox \u003c\/strong\u003e| \u003cem\u003eA Box of Disquiet\u003c\/em\u003e \u003cstrong\u003eTim Hopkins\u003c\/strong\u003e | \u003cem\u003ePortraits of John Mordaunt\u003c\/em\u003e… \u003cstrong\u003eTony Hayward\u003c\/strong\u003e | \u003cem\u003eWeighed\u003c\/em\u003e \u003cstrong\u003eJohn Aubrey \/ Josef Albers\u003c\/strong\u003e | \u003cem\u003eRemembering ‘Dawn Chorus’\u003c\/em\u003e \u003cstrong\u003eJohn Bevis\u003c\/strong\u003e | \u003cem\u003eSubway\u003c\/em\u003e \u003cstrong\u003eJoy Drury Cox\u003c\/strong\u003e | \u003cem\u003ebetween something and nothing\u003c\/em\u003e \u003cstrong\u003eÉilis Kirby\u003c\/strong\u003e | \u003cem\u003eBunched \u003c\/em\u003eWatercress labels\u003c\/p\u003e\n\u003cp\u003eIt has been five years since we published our first title, Anticipatory history, the result of an invitation to participate in a research network about accounts of environmental change, and the request to “make a book”, as a residue of what was explored. It took the form of a glossary, with individual contributors writing up their interpretations of the varied topics and terms that had been prominent in the discussions. Unwittingly, this book became the model for an approach, both in terms of a physical format, and also as an editorial strategy, combining ‘research’—be it scholarly or artistic—with a determinedly flexible and collaborative engagement with ‘the book’…\u003c\/p\u003e\n\u003cp\u003eUniformagazine continues to gather and include material directly related to our book publishing programme, as well as a variety of expansive subjects, not intendedly urban or rural in theme, but as a regular vehicle to enable us to continue looking in all directions, waiting to see what might be coming along next.”\u003c\/p\u003e\n\u003cp\u003eIssue 8 of this publisher’s magazine, stapled, 21,5 x 15 cm, 32 pages, Axminster 2016-2017\u003c\/p\u003e\n\u003cp\u003eISSN 2056-6301\u003c\/p\u003e","brand":"Sackett, Colin (Ed.)","offers":[{"title":"Default Title","offer_id":31822676492401,"sku":"","price":6.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0015\/8656\/1083\/products\/UniformagazineNr.8.jpg?v=1592411646"},{"product_id":"uniformagazine-nr-9","title":"Uniformagazine  Nr.9","description":"\u003cp\u003e“\u003cem\u003eOn Media Meteorology\u003c\/em\u003e \u003cstrong\u003eJussi Parikka\u003c\/strong\u003e | \u003cem\u003eFrom Outside to Inside\u003c\/em\u003e \u003cstrong\u003eJean-Luc Vilmouth\u003c\/strong\u003e | \u003cem\u003eImagined, Observed, Remembered\u003c\/em\u003e \u003cstrong\u003ePeter Blegvad \u003c\/strong\u003e| \u003cem\u003eRecalling Mister Paranoia\u003c\/em\u003e \u003cstrong\u003eMichael Hampton\u003c\/strong\u003e | \u003cem\u003ethese folders\u003cstrong\u003e… \u003c\/strong\u003e\u003c\/em\u003e\u003cstrong\u003eSimon Cutts\u003c\/strong\u003e \u003cem\u003e| Reading Hollywood in the Smog\u003c\/em\u003e \u003cstrong\u003eDavid Gissen\u003c\/strong\u003e | \u003cem\u003eEstuary\u003c\/em\u003e \u003cstrong\u003ePhil Owen\u003c\/strong\u003e | \u003cem\u003eCloud Study\u003c\/em\u003e \u003cstrong\u003eJohn Bevis\u003c\/strong\u003e | \u003cem\u003eThe Lane \u003c\/em\u003e\u003cstrong\u003eLuci Gorell Barnes\u003c\/strong\u003e | \u003cem\u003eDevonmoor Pottery\u003c\/em\u003e | \u003cem\u003eReflection on the Atomic Bomb\u003c\/em\u003e \u003cstrong\u003eGertrude Stein\u003c\/strong\u003e | \u003cem\u003eField Gate\u003c\/em\u003e | \u003cem\u003eWhere We Are\u003c\/em\u003e \u003cstrong\u003eErica Van Horn\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSeveral parts of this issue are concerned with place, whether by definition or naming, or visibility and detail. Erica Van Horn’s description of the five separate named elements that comprise the postal address for the remote Irish location of Coracle, the publishing project she directs with Simon Cutts, is from the online journal that she has kept for almost ten years (somewordsforlivinglocally.com), extracts of which were published as Living Locally by Uniformbooks in 2014.\u003c\/p\u003e\n\u003cp\u003eDespite the expansive means of online publishing and social media—the new structures of dialogue and response—the passage of communication by post, the direct despatch and dissemination of printed publications, remains the prevailing means of exchange for small-scale independent publishing. From the local to the global and back, connections are established and cultivated in a network between publishers, bookshops, libraries and readership.”\u003c\/p\u003e\n\u003cp\u003eIssue 9 of this publisher’s magazine, stapled, 21,5 x 15 cm, 32 pages, Axminster 2017\u003c\/p\u003e\n\u003cp\u003eISSN 2056-6301\u003c\/p\u003e","brand":"Sackett, Colin (Ed.)","offers":[{"title":"Default Title","offer_id":31822690549873,"sku":"","price":6.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0015\/8656\/1083\/products\/UniformagazineNr.9.jpg?v=1592412127"},{"product_id":"prom-run-issue-1","title":"Prom.Run issue 1","description":"\u003cp\u003eA collection of interviews and articles on Spanish art and the Spanish art scene by a fresh new art collective whose aim is “to provide things that we find useful in navigating the world and rework them for better availability.” Prom consists of \u003cstrong\u003eFederico Pozuelo, Javier Ruiz, Martín Alexandre Alonso \u003c\/strong\u003eand\u003cstrong\u003e Marcos Gutiérrez Morquecho.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAbout Prom and this first issue:\u003c\/p\u003e\n\u003cp\u003e“This project is the result of the activities of our collective Prom, a group for artistic production with little hope for commercialization. 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Includes texts by \u003cstrong data-mce-fragment=\"1\"\u003eKate Morgan\u003c\/strong\u003e and \u003cstrong data-mce-fragment=\"1\"\u003eClaire Sammons\u003c\/strong\u003e called ‘Books Received’. ‘Stochastic Poetics’by \u003cstrong data-mce-fragment=\"1\"\u003eLevi Sherman\u003c\/strong\u003e, ‘Immersion: A conversation’by \u003cstrong data-mce-fragment=\"1\"\u003eTate Shaw \u003c\/strong\u003ewith\u003cstrong data-mce-fragment=\"1\"\u003e Emily McVarish, Jody Zellen \u003c\/strong\u003eand\u003cstrong data-mce-fragment=\"1\"\u003e Janet Zweig\u003c\/strong\u003e. And more texts by \u003cstrong data-mce-fragment=\"1\"\u003eM. Scott Craig, Kyle Schlesinger, Gratchen E. Henderson, Alexander Mouton, Isobel Anderson, Megan Bermer, Karen Guancione, Elena Bertozzi, Nathalia Silberleib, Susan Viguers. \u003c\/strong\u003eEditional book ‘Room’by\u003cstrong data-mce-fragment=\"1\"\u003e Karol Shewmaker \u003c\/strong\u003eand\u003cstrong data-mce-fragment=\"1\"\u003e Brandon Graham.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eStapled, 56 pages, 28,5 x 21 cm, contains a separate booklet by, Chicago Spring 2013.\u003c\/p\u003e","brand":"Freeman, Brad (Ed.)","offers":[{"title":"Default Title","offer_id":40122108051569,"sku":"","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0015\/8656\/1083\/products\/Jab33.jpg?v=1674146837"},{"product_id":"jab-34-the-journal-of-artists-books","title":"JAB 34  The Journal Of Artists’ Books","description":"\u003cp data-mce-fragment=\"1\"\u003eJAB 34 is the Polish edition. Beginning with an interview from \u003cstrong data-mce-fragment=\"1\"\u003eBrad Freeman \u003c\/strong\u003ewith \u003cstrong data-mce-fragment=\"1\"\u003eMaryna Tomszewska.\u003c\/strong\u003e Including ‘Publishing Subversion’ by \u003cstrong data-mce-fragment=\"1\"\u003ePiotr Rypson\u003c\/strong\u003e, ‘The Beauty of Statistical Errors: Art Books and Self-Publishing in the Polish Book Market’by \u003cstrong data-mce-fragment=\"1\"\u003eSzymon Zydek\u003c\/strong\u003e. With more contributions from \u003cstrong data-mce-fragment=\"1\"\u003eMalgorzata Misniaiewicz, Sabastian Cichocki \u003c\/strong\u003eand\u003cstrong data-mce-fragment=\"1\"\u003e Lukasz Jastrubczak, Malgorzata Dawidek Gryglicka, Karol Radziszewski \u003c\/strong\u003eand\u003cstrong data-mce-fragment=\"1\"\u003e Agata Szydlowska\u003c\/strong\u003e. With additional artists book ART BOOKOVSKY inserted on page 44 by \u003cstrong data-mce-fragment=\"1\"\u003ePawel Jarodzki\u003c\/strong\u003e.  Stapled, 44 pages, 28,5 x 21 cm, contains a separate booklet by , Chicago, Fall 2013.\u003c\/p\u003e","brand":"Freeman, Brad (Ed.)","offers":[{"title":"Default Title","offer_id":40123582513265,"sku":"","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0015\/8656\/1083\/products\/JAB34TheJournalOfArtists_Books.jpg?v=1674387484"}],"url":"https:\/\/boekiewoekie.com\/collections\/periodical\/fridjonsson-helgi-kristinn-g-hardarson-arni-ingolfsson-dadi-gudbjornsson-tumi-magnusson-eds.oembed","provider":"Boekie Woekie, books by artists","version":"1.0","type":"link"}