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His writing began in the early 1970s, and since 1981 he has published 10 books of poetry with publishers such as Wild Honey Press and Shearsman Books. Maurice Scully has been editor of a number of influential magazines (Icarus, and The Beau), and through the 1970s and 1980s organised important readings and literary gatherings, and over the years he has taken part in conferences and festivals in Ireland, the UK, and the US, where his readings are prized as key interpretations of his complex work.”\u003c\/p\u003e\n\u003cp\u003eA series of poems in which the poet, sometimes in flowing sentences, sometimes in clipped rhythmic lines, describes his environment and occasionally reflects on the nature of poetry: “The trouble \/ with poetry \/ is poetry.”\u003c\/p\u003e\n\u003cp\u003eHard cover, 21,5 x 15 cm, 186 pages, Clonmel 2019\u003c\/p\u003e\n\u003cp\u003eISBN: 978-0-906630-61-7\u003c\/p\u003e","brand":"Scully, Maurice","offers":[{"title":"Default Title","offer_id":31213207355505,"sku":"","price":23.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0015\/8656\/1083\/products\/Scully_Play_Book.jpg?v=1575474271"},{"product_id":"from-page-to-space-published-paper-sculptures","title":"From Page To Space  Published Paper Sculptures","description":"\u003cp\u003e“Paper has established its position as an autonomous material in the visual arts and has long been more than a mere support. It was included by the Cubists as an element in their collages. Sculptures with a pervasive and dynamic spatial presence are produced from paper today. The current exhibition does not seek to display such unique works of art, nor does it deal with the delicate three-dimensional cut-out works that often appear in internet searches with the term ‘paper sculpture’ or the intricate and ingenuous pop-up books, created by paper engineers, that appear mostly in English-speaking countries. Its focus is on published works by visual artists.\u003c\/p\u003e\n\u003cp\u003eIn the medium of artists’publications, the traditional category of sculpture (to be understood here in its widest sense as embracing both constructed works and objects) has undergone an expansion in terms of materials and diffusion. Assembled from paper or cardboard, printed in multiple copies and available at reasonable prices, these works reveal themselves to be original editions. Inspired by historical precursors such as cardboard cut-out figures or books with movable elements, many autonomous works of visual art have been conceived for construction or mounting through the manual dexterity of the beholder.”\u003c\/p\u003e\n\u003cp\u003ePublished on the occasion of a traveling exhibition of published paper sculptures, with numerous examples of such structures by many artists (one also by the writer of these lines), with an introduction by Guy Schraenen and an essay by Bettina Brach, soft cover, 15 x 15 cm, 240 pages, Bremen Porto 2011\u003cbr\u003e\u003c\/p\u003e","brand":"Schraenen, Guy + Bettina Brach","offers":[{"title":"Default Title","offer_id":31216873341041,"sku":"","price":26.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0015\/8656\/1083\/products\/From_Page_To_Space.jpg?v=1575554507"}],"url":"https:\/\/boekiewoekie.com\/collections\/s\/book.oembed?page=7","provider":"Boekie Woekie, books by artists","version":"1.0","type":"link"}