“DEAR EAR is a fragmentary text, moving through subvocalization, lingual acrobatics, ingressive speaking and rhythmic reading in various experiences of the visualised voice.”
A freeform essay reflecting on the shapes, gaps and rhythms of spoken language while touching on the works of Roland Barthes, Garrett Stewart, William Kentridge, Kurt Schwitters, Philip Glass, René Magritte, Paul Celan, Hannah Arendt, Régis Durand, John Rawls, Stephanie Burt and Craig Dworkin, and Henri Chopin, a large horizontal bar across one sheet refers to a personal story shared by the author.
Loose folded sheets, 27 x 21 cm, 8 not numbered pages, Bergen 2022
