“Daniel Göttin’s work is not a consequence of reduction. This is true both materially and conceptually. Were the works to be the consequence of reduction, they would have initially consisted of a more that would be worked away bit by bit — following the rules of an as-yet-unformed sculpture, perhaps. The work would consist of the clarification of an idea that was already there at the core, but which was not yet apparent”, the first catalogue about the works of Göttin, designed by Astrid Seme, with texts by Ines Goldbach, Patricia Hug, and Konrad Tobler, German and English texts, soft cover, 17 x 12 cm, 272 not numbered pages, Vienna 2018
