“Abstracted subjects from the index to the central chapter of Nature in Downland, W H Hudson, London 1900, titled ‘Silence and Music’, redeployed in ascending and descending sequences”, a double pamphlet containing an experimental and typographically potent adaptation of words from a hundred-year-old work, reads like a concrete poem, sewn, 21 x 15 cm, 22 not numbered pages each, Axminster 1995
